As the delusional, insane cult of liberalism continues to infect every institution across America, Hollywood has been transformed into the place where left-wing fantasies are played out on the big screen to satisfy the delusions of the brainwashed masses. The latest example of these left-wing fantasies is found in a new Netflix feature movie called, “In the Shadow of the Moon.”
This new film imagines time-traveling liberals who wear Antifa hoodies murdering patriots across America, following a pre-crime kill list that includes a concert pianist, a grill cook, a bus driver and other people who have done nothing wrong. The pre-crime murder is intended to execute these people before they start an uprising against globalism, which of course seeks to overrun America and destroy our national sovereignty. The entire point of the film is to make sure all these people who defend America are killed, ensuring globalism succeeds in overrunning this nation and enslaving humanity. (The film’s writers are clearly in the pro-enslavement camp and believe that the ends justify the means.)
In the Shadow of the Moon, starring Boyd Holbrook and Cleopatra Coleman (see comments below about their acting skills, which are superb) depicts patriots as so evil that “their crimes defy time.” With all the usual smears you would expect from a left-wing Ministry of Truth propaganda operation — after all, even the NY Times now just fabricates total fantasy to try to destroy Trump — this new film conflates patriotism with white supremacy and anti-globalism paranoia. All the typical symbols of patriots are demonized in the film, including the American flag, AR-15s and resistance against global tyranny.
Pre-crime “kill lists” to murder patriots before they can defend America
The premise of the film is that an alignment of the moon and the Earth causes a time-traveling wormhole to open up once every nine years, somehow allowing one specific person to travel back in time so that they can murder patriots at ever-earlier opportunities. The “pre-crime” murder is fully justified by the characters in the film, who explain that killing patriots is necessary to stop a civil war that might kill millions.
Nowhere in the film, of course, is any character concerned about the Democrats’ total destruction of the Bill of Rights, their trampling on the First Amendment and Second Amendment, or the rise of global authoritarianism, or even the fact that the entire mainstream media today has become nothing but a fiction fantasy fake news cartel that pushes lies in order to destroy America from within. In fact, this film functions as an example of rising globalist authoritarianism and how it rolls out propaganda campaigns to try to brainwash the masses into believing that loving your country is somehow evil.
The film parodies itself, in other words. The writers seem to have no clue that their project is, itself, an exactly of exactly the kind of dystopian authoritarian tyranny that sci-fi films of an earlier generation fought against.
While today’s progressives are thrilled when people from Somalia love Somalia (i.e. Ilhan Omar), or when people from Mexico love Mexico, somehow when Americans love their own country, that’s extremely evil and worthy of the label, “white nationalism.” Again and again throughout the last half of this film, the message becomes increasingly clear that anyone who loves America must be killed. That’s the real message of the radical Left which now controls Hollywood. This is literally what they believe about our world today, and that’s why they demand to take away all the firearms of conservatives, Christians and Trump supporters. Because once they disarm you, they quite literally want to murder you. (But they have to convince you to disarm first, hence all the false flag operations and coordinated anti-gun media propaganda.)
Not surprisingly, the main character carrying out all this pre-crime murder is wearing an Antifa hoodie and has a shaved head, sporting a gender-neutral look that’s all part of the transgenderism indoctrination now targeting children. I’m surprised the film didn’t show all the cities flooding with ocean water and try to terrorize the audience with more climate change hysteria, but then again filming movies on water is horrendously difficult (remember Waterworld?). Apparently, even Leftists can only pack so much propaganda into one film before the whole thing becomes absurd.
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